I am from Tokyo. The concept of the work is a style that loves creative very much, has a rugged personality and a funky rhythm, and draws as the heart goes.
Free play and pranks are indispensable. I am working hard to create it with the hope that I can gently deliver a little energy by scattering the blister-sized Lucky & Happy.
The activity has increased opportunities to participate in domestic and international exhibitions since 2022. So far, we have won the "Hundred Flowers of the Art Gold Award (Spring, Summer, Autumn and Winter Division)", "MIX ART FES Art Grand Prize", and "The 2nd ART Expo in Paris Japan Art Honor Award". It was also featured in the French art magazine "Republique des Arts". I plan to continue to work slowly and at my own pace.

As for his background, after experiencing a lot of social experience and many setbacks, he went to a school to get a job in the design industry in 2019. I entered the school. I studied a wide range of subjects such as graphic design, web, video, illustration, drawing, branding, and promotion, and sometimes I couldn't keep up with classes that were too difficult, and although I cried, I managed to get through it with just my creative desire. I also remember that I received a joking word from my teacher, saying, "I don't have anything to teach anymore."
Currently, I am training to become a picture book writer while facing painting.

My first online solo exhibition, "Gloovin' Rainbow," was particularly memorable. When I was told about it, I felt like I was crushed by anxiety and nervousness about composing only my own work. Despite the confusion caused by overlapping with other exhibition preparations, we continued to face it without running away, which led to the challenge of new expressions and overflowing feelings.
I was really happy to receive encouragement from people who came to my eyes during the production and my solo exhibition. I am also sincerely grateful to Art.jp Japan for being generous in accepting my unique style and for being able to take on challenges freely.
By the way, just before the event, there was also an incident where I noticed my spelling mistake. The title "Gloovin'" is a coined word that combines "groove" and "glow." It was a desperate measure, but it turned out to be an unforgettable memory (laughs).

While studying at a design school, I had a strong desire to create materials from scratch, so I took the school's illustration course. Along that path, my experienced master, who is active as an illustrator, found the direction of expression from my rugged touch. "On the other hand, I don't want it to work, why don't you draw it because it looks like it would fit in a picture book?" He unexpectedly pushed me back, and I was given the opportunity to step into the world of picture books. I also occasionally heard valuable stories of my professional experiences, and I learned a lot.
In addition, my mentor, who is a graphic designer with an outstanding aesthetic sense and is truly worthy of being called a "master", taught me the essence of creation from all perspectives. As my brain tends to freeze, he guided me accurately, clearly, and sometimes patiently. Learning the importance of "having fun and creating" became the starting point for not forgetting to play.
I strongly feel that learning from these top-notch teachers has led to my current expression. Looking back, I am filled with gratitude that they took care of me so well.
At the same time, as I continued to search for picture book production and expression, I received a call from Art.jp Japan, which led to my current activities.

In my works, I put my views on life, life and death, and what I feel at the moment as a "secret ingredient" as a "secret ingredient". It is sometimes said that "the style is philosophical", but I have never studied philosophy, and I am only depicting thoughts based on my own knowledge and experience. I aim to be such a work that listens to unreachable feelings and considers unhealed wounds.
For example, "Be so paradise ♪" is the first work that touches on the view of life and death. I envisioned that in the hot springs, I wanted to deliver paradise, paradise, and relaxation to take a breather.
Inspired by Hamlet's Ophelia, Liszcko just floats and flows to heaven while singing. It sees life and death as an extension of the universe and expresses it from a quiet zero-point perspective where there is nothing in the universe. In layman's terms, I wanted to draw pinpin color, pin color.
The original Ophelia is a tragic existence, but I would be happy if you could see it as the beginning of a comedic end.

The work that I think is the most personal to me is "funky √55 chikizama chaos". It is my favorite work right now, with my own spirit. It depicts how to push forward with one feeling even if you know it's impossible in the rough waves of life, and you can't help but laugh at the chaos.
It's energetic and funny, I don't know what's going on, but it's just fun. I expressed the feeling that if I feel good, I can get through it somehow. I think that a situation where the steering wheel of life is already off is also my own. It's okay, I can go with disgust! With a light momentum, I don't know the future, but I want to survive by ad-libbing.

Perhaps because I have too much individuality, it is difficult for me to fit in with society, and I sometimes feel that I am a small being. No matter what I tried, I finally found something I truly loved in a safe place. Drawing may be a small thing from the outside. Still, I want to believe that I was born to draw my feelings. If the person who looks at the painting can smile even for a moment and gently cast a rainbow in his heart, it would be a great honor for me.
With that in mind, I hope to continue drawing with a free mind.