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Artist 瀬口真梨奈 Seguchi Marina

瀬口真梨奈

INTERVIEWInterview

Marina Seguchi

Please tell us what made you decide to study art in earnest.

I loved drawing from a young age, and I was a child who would draw whenever I had free time. I wanted to study art in earnest when I finally decided on a high school to go to. I had a vague image of going to a preparatory school, but when I took a trial class on drawing apples at an open campus of a high school, that idea changed completely.

Until then, I had been drawing as I liked in my own way, but it was the first time I was taught by a teacher. I realized that drawing after gaining knowledge of art is different from the experience of painting so far. I wanted to deepen it.

"Barking sentimentally" Written by: Marina Seguchi

Please tell us how you came to the style of expression of self-portrait × transformation.

In high school, I picked up themes from the lyrics of my favorite music and sometimes drew pictures modeled after my friends. I arrived at the style of self-portrait expression × transformation when I entered art college two or three years later.

After entering university, I began to worry about my own personality and have complexes, so I began to paint with themes that faced my inner self. When I was young, I admired magical girls such as Pretty Cure. Kamen Riders often hide their faces with heavy equipment, while magical girls can dress up like dresses and wear makeup to make them cute. On top of that, they are strong and protect the world. I was attracted to a girl with a strong appearance and personality. I had a desire to transform into something nicer and stronger, and while searching for the image of myself I wanted to be, I depicted the theme of the emotions I felt strongly at that time.

Have you had any difficult experiences during your school days?

When I was a student, I was often evaluated for being good at drawing. Especially in high school, I was ranked in my drawing class. I was not good at that ranking, because it was faster to count from the bottom. I remember that experience as painful, frustrating, and embarrassing.

It was hard to get a score from a different perspective than what I wanted to draw, whether I was good or bad. I had challenges even after entering university, but now I feel like I can draw what I like.

"Metamorphose: Envious Red Camellia" Written by: Marina Seguchi

How do you feel about drawing?

Drawing is also a time to organize my thoughts, so I am grateful to have found it as a means of expression. At this point, I think self-portraits × transformation are the theme that suits me the most. Since I discovered this style in my second or third year of university, I have continued to draw in the same way, so I want to continue drawing with this theme.

For me, drawing is one of the tools for self-expression, so I don't care what the people around me think. If you simply think that the colors are beautiful, that's very happy, and there are times when you will be judged by your likes and dislikes. I don't want people to understand or sympathize with the theme I expressed 100%.

Please tell us about the first work that felt that the theme of the self-portrait × transformation was a good fit.

It was "Kokoku". This is a picture I drew at university with an assignment on the theme of memory. At that time, I was painting portraits, so I thought it would be difficult to express memory, but I thought about various things. From high school to college, I was able to encourage myself by learning makeup, wearing my favorite clothes, and polishing my appearance. That was the feeling of putting on equipment. I also noticed that my way of thinking has changed over time, and I have become more able to face my inner self. I wanted to depict the process of gradually taking shape on the outside and inside in this way in combination with a self-portrait.

"Come on." Written by: Marina Seguchi

Please tell us your thoughts on future work creation

The only thing I've been doing so far is painting. It would be a waste if I didn't continue, and if I stopped drawing, it would be over. If possible, I would like to draw and make it my job. I would be happy if there was even one person who thought my painting was good. Right now, I draw myself as a model, but I think there are times when I have a family and want to draw objects that I haven't looked at before. There is a possibility that the expression will change, but for now, I want to continue drawing, inspired by the desire to transform and become someone who keeps updating.

Focusing on her longing for magical girls and her desire to transform, she continues to face her inner self. Drawing is a tool for self-expression and a time to organize your thoughts. He says that the theme of self-portraits × transformation suits him best now, and he has decided to continue painting in this style. Expectations are high for the future of the work, which is born from the desire to be something that continues to be updated.

EXHIBITIONS Exhibition Information

2025.02.16 - 2025.02.28

Marina Seguchi Web Solo Exhibition Metamorphosis
When I was young, I admired magical girls, and I draw self-portraits that quote transformation scenes expressed in anime and other films. As a member of society and no longer a "student of the Faculty of Art", I feel that self-expression is very ambiguous. Even in such a situation, I am constantly worried about what I want to do and what I want to become, while envying something. I used to admire magical girls, and I still want to be someone. While feeling the gap between my surroundings and myself, I think about the existence of "I" who struggles with that stress. Furthermore, he depicts himself trying to change while scratching algae in the midst of it, likening it to a transformation scene. ●Marina Seguchi[Biography] In 2017 ・Kyushu Sangyo University Faculty of Arts Department of Artistic Expression Enrollment In 2021 ・Graduated from Kyushu Sangyo University, Faculty of Arts, Department of Artistic Expression [Group Exhibition] In 2018 ・"The 4th Ishimoto Japan Painting Grand Prize Exhibition", Hamada City Ishiyu Museum of Art, Shimane, Japan In 2020 ・"Inscape IV", GALLERY ART POINT, Tokyo In 2021 ・"1080< Kyushu Sangyo University Japan Painting Students + Exhibition >", UNPEL GALLERY, Tokyo ・"" Forbidden Colour - " "GALLERY ART POINT, Tokyo, Japan In 2022 ・"Nishiki - Kinshu - 2022", GALLERY ART POINT, Tokyo In 2023 ・"" Next 2023 "" GALLERY ART POINT, Tokyo