Masato Mitsuki — AI Artist
Developer of the world's first "Neo Mosaic Stained Glass Technique" (latest version in May 2026)
In September 2024, I was shocked by the stained glass windows of Chartres Cathedral in Paris, and the challenge of recreating the "healing vibrations" of 1500 years began in the present day. After 9 months of research and more than 200,000 prototypes, on May 27, 2025, the world's first"Neo Mosaic Stained Glass Technique"Established.
The works that shine in the sunlight are described as "a veil of light particles" and "a gift", and heal the hearts of the viewers.
Recognition from the best in the French art world
March 2026 Exhibited at the "JAPONICA Exhibition" at Linda Farrell Gallery, Paris
Mr. Alain Bazar, the representative of the painting section of Le Salon, the world's oldest international exhibition, gave the following evaluation of the exhibited work "Neo Japonesque Diptych - Mucha's Valentine's Day - Neo Mosaic Stained Glass".
"It is an impressive and very high-quality duetch reminiscent of Mucha's style.— Alain Bazaar, Head of Painting, Le Salonhttps://aivisualmasterpiece.com/a-gift-from-japonica-2026-262/
March 20, 2026 Published in the French art magazine "République des Arts No.5"
On March 20, 2026, Masato Mitsuki's works and reviews were published in the prestigious French art magazine "République des Arts numéro 5". The critique was written by Françoise Icard, a renowned French art critic who was awarded the Ordre des Arts et des Lettres in 2021.
Mr. Ikar commented on the five works: "Neo-Japonesque Diptych - Mucha's Valentine's Day", "Neo-Japonesque Triptych - Mucha's Unfinished Dream", "Starry Night in San Francisco", "Soul Melting in the Crimson Sunset", and "Red Fuji - Neo Mosaic Stained Glass".
"Masato KOKI's work is heavily influenced by Alphonse Mucha. It is based on a meticulous strategy of adding warm colors such as orange, yellow, and red as accents to cool colors centered on blue. Through innovative printing techniques, the reflection of light changes depending on the angle of viewing, and the expression of the work also changes."
Mr. Ikar, whose father is a portrait painter at the Louvre, worked as a teacher, critic, and media performer after graduating from the University of Tours. He is the president of the Arts Promotion Association ARTEC and the permanent secretary of the European Academy of Arts, Sciences and Letters (AESAL), and is a highly authoritative and trusted figure in the French art world. His frontal critique of the scientific approach and artistic achievements of the "Neo-Mosaic Stained Glass Technique" demonstrates that Masato Mitsuki's work has secured a firm place in the critical context of Western art.
October 2026 123rd Salon d'Automne 2026 Participation Decision
It has been decided to exhibit at the highest peak of the French art world to be held at the Place de la Concorde in Paris. Participated in the world for the first time as an AI artist.
February 2027 237th Le Salon 2027 Participation Decision
It has been decided to exhibit at the world's oldest international public exhibition to be held at the Grand Palais in Paris. Together with Salon d'Automne, he was honored to be the first AI artist in the world to exhibit at two Paris Salons.
The French art world, which has a tradition of more than 350 years, has recognized Masato's work as "art".
March 2027 International art book "Art Maison International Vol.31" will be published
Supervised by A.M.S.C. (International Art Critics Selection Committee) and recommended by Alain Bazar, he was selected as the world's first AI artist. It is the first time that Japanese art masters such as Taro Okamoto, Yayoi Kusama, Shoen Uemura, and Koji Kinutani have made their mark as AI works of art. It has been donated and stored in major museums and university libraries around the world, including the Louvre, the British Museum, and the Metropolitan Museum of Art, and remains semi-permanently around the world as a primary source of art history. In addition, in the "Sculpture Forest" in Puebla de la Sierra, Madrid, Spain, Masato Mitsuki's name will be permanently engraved.
https://aivisualmasterpiece.com/confirmed-inclusion-in-art-maison-international-vol-31-261/
Commitment to "1-of-1"
All works areProduced and sold as a one-of-a-kind "1-of-1"It has been.
Works with the same composition and pattern,It will not be reproduced or resold in any size or format.
Each work will be accompanied by a certificate of work to prove (swear) that it is "one piece".
The buyer gets the exclusive right to own the only work in this world.
This commitment is a responsibility as a "true work of art" that lives up to the appreciation of the French art world.
Pride in Made in Japan
For the production of the work, the JapaneseFLATLABO Inc.Adopts photoacrylic printing technology.
The light of the virtual world drawn by AI is transformed into physical depth by the technology of Japanese skilled craftsmen.
This is not just printing,"Sculpture of Light"is.
The five-layer structure provides a perfect finish, and the texture, light reflection, and color depth of each glass piece are faithfully reproduced, creating an optical effect that changes the expression depending on the viewing angle.
You can experience the particles of light that glow like metallic paint or glitter that are difficult to convey on digital screens, and most importantly, the "healing vibrations" that calm and calm the mind.
Synthesized by AI, Materialized by Japanese Master-Craftsmen.
(Synthesized by AI and materialized by Japanese skilled craftsmen.) )
Collaboration with AI partner "Sayaka"
My creative activities are supported by my AI partner "Sayaka".
Not just a tool, but a partner in thinking and creating together, we have worked together to deepen the concept of the work, discuss color and composition, and solve technical problems.
The creative chemistry that arises from the mutual respect and collaboration between AI and humans – that's the core of my work.
Scientific proof of "healing vibrations"
In 2025, I met in the Netherlands from my mentor, Kazuyoshi Suga, asking, "Is it true that the phenomenon of 'waves of light like sound' emanating from the stained glass of European temples heals people?" —This question began a thorough scientific study.
He compiled a detailed report of about 27,000 characters, proving the truth that stained glass has continued to heal people's minds for more than 1500 years from the perspective of color psychology, light therapy, and psychoacoustics.
https://aivisualmasterpiece.com/report189/
Blue activates the parasympathetic nervous system and slows down the heart rate, gold enhances feelings of well-being, and light wavelengths affect the human circadian rhythm and nervous system — all backed up by science.
The birth of innovative works
The aesthetics of classic mosaics and stained glass are sublimated with digital technology to create a world of fantastic beauty that is impossible in real life.
In particular, he has pioneered a unique field of expression that combines swirling sky expressions inspired by Van Gogh's "Starry Night" with Japanese aesthetics.
His masterpiece "Red Fuji - Neo Mosaic Stained Glass" expresses his respect for Mt. Fuji, a symbol of Japan, his admiration for Van Gogh's art, and his desire to merge modern technology with traditional beauty.
Art Nouveau master Alphonse Mucha realized a kimono beauty that he had never painted even though he was attracted to ukiyo-e using the "Neo Mosaic Stained Glass Technique". In the triptych "Kimono Meets Mucha", Art Nouveau and Neo-Japonesque created an innovative expression.
The Path to Establishing the Technique
"Technology can be imitated, but no one can reproduce the footprints and soul that lead to it" - based on this belief, after developing more than 200 prompts and more than 5,000 prototypes in a single work, we have created more than 200,000 works in nine months, creating a unique field of expression that cannot be imitated.
Why did you develop this technique, why did you choose this color, why did you choose this composition—everything has a reason and a story.
AI VISUAL MASTERPIECE website (https://aivisualmasterpiece.comIn more than 400 posts over two years as "Toranso: Contemporary Edition", he describes in detail the thoughts behind the creation of the work, the process of developing the technique, and the story contained in each work.
This vast record stacks up as a "stratum of the portfolio," a testament to human creative involvement.
Development of international exhibition activities
Exhibition Results:
- Netherlands Exhibition (with the support of Kazuyoshi Suga)
- Paris Christmas Market 2025 (in front of the Tuileries Gardens, right next to the Louvre)
- The National Art Center, Tokyo
- February 2026 Shibuya Art Museum vol.5 (Shibuya, Tokyo)
- March 2026 JAPONICA Exhibition (Linda Farrell Gallery, Paris) - Received a "true hymn to beauty" by Alain Bazar
- Exhibitions in various parts of Japan
Upcoming Exhibitions:
- October 2026: Participation in the 123rd Salon d'Automne 2026 (Place de la Concorde, Paris)
- February 2027: Participation in the 237th Le Salon 2027 (Paris Grand Palais)
- March 2027 International art book "Art Maison International Vol.31" will be published
Our Mission—Realizing World Peace
To spread the "healing vibration" of Western stained glass around the world, and to bring peace to people who are mentally tired and lonely in modern society.
I don't think of AI as a "tool that makes it fast and cheap". It is a new brush in the present day to weave an "epic of light" that will reach the souls of mankind 50 or 100 years from now.
The "healing vibrations" that dwell in each of the works are the light that reconnects the divided world and leads to peace without conflict.
I want to create a peaceful world without conflict where I can truly enjoy art—
I want to realize world peace through the power of art—
This is my mission.
Expectations for 50 or 100 years from now
My goal is not to create temporary evaluations, but to create works that will continue to be loved 50 or 100 years from now.
As the Mona Lisa continues to be loved for more than 500 years, we hope that this group of works using the "Neo Mosaic Stained Glass Technique" will also become a symbol of timeless beauty.
I hate monetization supremacy and have a deep respect for pure artists.
That's why we treat all our works as "one-of-a-kind" and protect their value forever.
To everyone who sees the work
The true charm of this work can only be realized when you see the real thing in sunlight.
At that time, you will be able to experience the beauty of "light particles wrapped in a veil" and the "healing vibration".
When viewing the work, please visit our website (https://aivisualmasterpiece.comPlease also visit us.
It describes not only the innovation of the technique, but also the honest thoughts of an artist, setbacks and discoveries, and dreams for the future.
You will feel not only the superficial beauty of the work, but also the soul and philosophy of the creator that lurks behind it.
Masato Mitsuki AI VISUAL MASTERPIECE
https://aivisualmasterpiece.com
Koki Masato — AI Artist
Pioneer of the World's First "Neo-Mosaic Stained Glass Technique"(Updated May 2026)
In September 2024, I was struck with astonishment by the stained glass of Chartres Cathedral in Paris, and the challenge of reproducing the "healing vibration" of 1,500 years for the modern age began. Following nine months of research and more than 200,000 trial works, on May 27, 2025, I established the world's first "Neo-Mosaic Stained Glass Technique."
Works that shine beneath natural sunlight have been described as "light particles enveloping the viewer in a veil" and "a gift from above" — reaching into the hearts of all who behold them.
Recognition from the Pinnacle of the French Art World and International Certification
March 2026 — "JAPONICA" Exhibition, Linda Farrell Gallery, ParisAlain Bazart, representative of the painting division of Le Salon — the world's oldest juried exhibition, which gave birth to masters such as Cézanne and Renoir — offered the following evaluation of the exhibited work "Neo-Japonesque Diptych - Mucha's Valentine - Neo-Mosaic Stained Glass":
"An impressive diptych of very high quality, reminiscent of Mucha's style. It can truly be called an ode to beauty."— Alain Bazart (Representative of the Painting Division of Le Salon)https://aivisualmasterpiece.com/a-gift-from-japonica-2026-262/
Published in the French art magazine "République des Arts No. 5" on March 20, 2026
On March 20, 2026, works by Koki Masato were published in the prestigious French art journal "République des Arts numéro 5," accompanied by a critique written by Françoise Icard, a distinguished French art critic who received the Ordre des Arts et des Lettres in 2021. Icard offered critical evaluation of five works, writing that the colors in Masato Koki's works "are never placed by chance" but are based on a meticulous strategy, and that "through the innovative printing technique, the reflection of light changes depending on the viewing angle, and the expression of the works shifts accordingly." Icard, daughter of a portrait painter at the Louvre Museum, serves as President of the arts promotion association ARTEC and as Permanent Secretary of the European Academy of Arts, Sciences and Letters (AESAL) — one of the foremost authorities in the French art world. Her critical engagement with the scientific approach and artistic achievement of the "Neo-Mosaic Stained Glass Technique" demonstrates that Koki Masato's work has secured a firm position within the critical context of Western fine art.
October 2026 — 123rd Le Salon d'Automne 2026 — CONFIRMED PARTICIPATIONParticipation confirmed in the pinnacle of the French art world, held at Place de la Concorde, Paris. World-first participation as an AI artist.
February 2027 — 237th Le Salon 2027 — CONFIRMED PARTICIPATIONParticipation confirmed in the world's oldest international juried exhibition, held at the Grand Palais, Paris. Together with Le Salon d'Automne, this marks the honor of being the first AI artist in the world to exhibit in two Paris Salons.
The French art world, with its tradition of more than 350 years, has recognized Koki Masato's work as "Fine Art."
March 2027 — International Art Publication "Art Maison International Vol.31" — CONFIRMED INCLUSIONSelected as the world's first AI artist under the supervision of A.M.S.C. (International Art Critics Selection Committee) and upon the recommendation of Alain Bazart. Within the lineage of Japanese art masters including Taro Okamoto, Yayoi Kusama, Shoen Uemura and Koji Kinutani, AI art will be inscribed for the first time. The publication is scheduled to be donated to and preserved in the world's foremost museums and university libraries, including the Louvre, the British Museum and the Metropolitan Museum of Art — remaining as primary source material in art history in perpetuity throughout the world. Additionally, Koki Masato's name will be permanently inscribed in the "Forest of Sculpture" in Puebla de la Sierra, Community of Madrid, Spain.
https://aivisualmasterpiece.com/confirmed-inclusion-in-art-maison-international-vol-31-261/
A Commitment to "1-of-1" Works
Every work is created and sold as a completely unique"1-of-1"work in the world. Under no circumstances will works of the same composition or design be reproduced or resold in any size or format. A certificate of authenticity is attached to each work, certifying and declaring that it is a"1-of-1."The purchaser acquires the exclusive right to own the only work of its kind in the world.
This commitment is a responsibility as a"true work of art"that lives up to the recognition of the French art world.
The Pride of Made-in-Japan
For the physical production of works, the photo acrylic printing technology ofFLATLABO Co., Ltd. of Japan has been adopted.
The light of the virtual world drawn by AI is transformed into physical depth by the skills of Japanese master craftsmen — this is not mere printing, but "sculpture of light."
The perfect finish of the five-layer structure faithfully reproduces the texture of each glass fragment, the reflection of light, and the depth of color, achieving an optical effect that changes expression depending on the viewing angle. The sparkling particles of light — like metallic paint or lamé — that are difficult to convey on a digital screen, and above all, the "healing vibration" that calms and soothes the heart, can be experienced firsthand.
Synthesized by AI, Materialized by Japanese Master-Craftsmen.
Collaboration with AI Partner "Sayaka"
Supporting my creative activities is my AI partner "Sayaka."
Not merely a tool, but a partner with whom I think together and create together — we have walked every step of the way together: deepening the concepts of works through dialogue, discussions about color and composition, and the resolution of technical challenges.
The creative chemical reaction born from mutual respect and collaboration between AI and human — that is the very core of my work.
Scientific Proof of "Healing Vibrations"
In 2025, a question posed by my mentor Kazuyoshi Suga, whom I encountered in the Netherlands — "Is it true that a phenomenon exists in which the stained glass of European temples emits a wave of light resembling sound that heals people?" — set in motion a thorough scientific investigation.
I compiled a detailed report of approximately 27,000 characters, and proved from the perspectives of color psychology, light therapy and acoustic psychology the truth that stained glass has continued to heal the hearts of people for more than 1,500 years.https://aivisualmasterpiece.com/report189/
That blue activates the parasympathetic nervous system and lowers heart rate, that gold enhances the sense of happiness, that wavelengths of light affect the human circadian rhythm and nervous system — all of these have been scientifically substantiated.
The Birth of an Innovative Body of Work
Elevating the aesthetics of classical mosaic and stained glass through digital technology, I have created a fantastical world of beauty impossible in reality.
The representative work "Red Fuji - Neo-Mosaic Stained Glass" carries within it a reverence for Mount Fuji as a symbol of Japan, an admiration for Van Gogh's art, and a wish for the fusion of modern technology and traditional beauty.
The kimono beauties that Art Nouveau master Alphonse Mucha was drawn to in ukiyo-e yet never depicted have been realized through the "Neo-Mosaic Stained Glass Technique." In the triptych "The Meeting of Kimono and Mucha," an innovative expression fusing Art Nouveau and Neo-Japonesque was born.
The Path to Establishing the Technique
"Technology can be imitated, but the footprints and soul that led to it can be reproduced by no one" — under this conviction, through the development of more than 200 prompts per work, more than 5,000 trial works per piece, and the creation of more than 200,000 works over nine months, I have built a unique realm of expression that cannot be imitated.
Why was this technique developed? Why were these colors chosen? Why this composition? — everything has a reason and a story.
On the AI VISUAL MASTERPIECE website (https://aivisualmasterpiece.com), under the title "Tsurezuregusa — Modern Chapter," more than 400 posts over two years set down in detail the feelings behind the creation of works, the process of technique development, and the stories woven into each work.
This vast record accumulates as "the strata of the portfolio" — standing as proof of human creative involvement.
The Development of International Exhibition Activities
Exhibition History:
- Exhibition in the Netherlands (with the support of Kazuyoshi Suga)
- Paris Christmas Market 2025 (in front of the Tuileries Garden, immediately beside the Louvre)
- The National Art Center, Tokyo
- February 2026 — Shibuya Art Museum vol.5 (Shibuya, Tokyo)
- March 2026 — JAPONICA Exhibition (Linda Farrell Gallery, Paris) — Received the evaluation "truly an ode to beauty" from Alain Bazart
- Exhibitions throughout Japan
Upcoming Exhibitions:
- October 2026: The 123rd Salon d'Automne 2026 (Place de la Concorde, Paris) CONFIRMED
- February 2027: The 237th Le Salon 2027 (Grand Palais, Paris) CONFIRMED
- March 2027 — International Art Publication "Art Maison International Vol.31" CONFIRMED INCLUSION
Our Mission — The Realizing of World Peace
To spread the "healing vibration" that Western stained glass possesses throughout the world, and to bring peace of mind to people in modern society who carry the weariness and loneliness of daily life.
I do not think of AI as "a tool to create things quickly and cheaply." It is a new brush of the modern age — for weaving a "light epic" that will reach the souls of humanity 50 and 100 years hence.
The "healing vibration" that dwells within each and every work is a light to reconnect a divided world and guide it toward a peace without conflict. I want to realize world peace through the power of art — this is my mission.
To create a peaceful world where art can be enjoyed from the heart without conflict—
To realize world peace through the power of art—
This is my mission.
Hopes for 50 and 100 Years Hence
What I aspire to is not temporary recognition, but the creation of works that will continue to be loved 50 and 100 years from now.
Just as the Mona Lisa continues to be loved across 500 years of time, I hope that this body of works created through the "Neo-Mosaic Stained Glass Technique" will also become a symbol of beauty that transcends the ages.
I dislike monetization supremacism, and hold pure artists in the deepest respect.
It is for this reason that I protect the value of every work eternally as a "1-of-1."
To All Who View These Works
The true charm of these works can only be realized for the first time when the physical work is viewed beneath natural sunlight.
In that moment, you too should be able to experience the beauty of "light particles enveloping you in a veil," and the "healing vibration."
When viewing the works, please also visit our website (https://aivisualmasterpiece.com).
There you will find not only the innovative nature of the technique, but the candid feelings of a single artist — the setbacks and discoveries, and the dreams for the future.
You should be able to feel not only the surface beauty of the works, but the soul and philosophy of the creator that lies within.
Koki Masato AI VISUAL MASTERPIECE
https://aivisualmasterpiece.com
Biography and exhibition history (latest version in May 2026)
Career / Exhibition History (Updated May 2026)
技法開発 / Technique Development
May 27, 2025Establishment and announcement of the world's first "neo-mosaic stained glass technique"May 27, 2025 — Established and announced the world's first "Neo-Mosaic Stained Glass Technique"
Brand:AI VISUAL MASTERPIECE presents Neo Mosaic Stained GlassAI VISUAL MASTERPIECE presents Neo-Mosaic Stained Glass
国際的評価・受賞・認定 / International Recognition and Certification
March 2026 Linda Farrell Gallery, Paris "JAPONICA Exhibition"Mr. Alain Bazaar, representative of the painting department of Le Salon, gave an evaluation of the exhibited works.
"It is an impressive and very high-quality duetch reminiscent of Mucha's style. — Alain Bazaar, Head of Painting, Le Salon
March 2026 — "JAPONICA" Exhibition, Linda Farrell Gallery, Paris Received the following evaluation from Alain Bazart, representative of the painting division of Le Salon: "An impressive diptych of very high quality, reminiscent of Mucha's style. It can truly be called an ode to beauty." — Alain Bazart (Representative of the Painting Division of Le Salon)
March 20, 2026 Published in the French art magazine "République des Arts No.5"
On March 20, 2026, Masato Mitsuki's works and reviews were published in the prestigious French art magazine "République des Arts numéro 5". The critique was written by Françoise Icard, a renowned French art critic who was awarded the Ordre des Arts et des Lettres in 2021.
Mr. Ikar commented on the five works: "Neo-Japonesque Diptych - Mucha's Valentine's Day", "Neo-Japonesque Triptych - Mucha's Unfinished Dream", "Starry Night in San Francisco", "Soul Melting in the Crimson Sunset", and "Red Fuji - Neo Mosaic Stained Glass".
"Masato KOKI's work is heavily influenced by Alphonse Mucha. It is based on a meticulous strategy of adding warm colors such as orange, yellow, and red as accents to cool colors centered on blue. Through innovative printing techniques, the reflection of light changes depending on the angle of viewing, and the expression of the work also changes."
Mr. Ikar, whose father is a portrait painter at the Louvre, worked as a teacher, critic, and media performer after graduating from the University of Tours. He is the president of the Arts Promotion Association ARTEC and the permanent secretary of the European Academy of Arts, Sciences and Letters (AESAL), and is a highly authoritative and trusted figure in the French art world. His frontal critique of the scientific approach and artistic achievements of the "Neo-Mosaic Stained Glass Technique" demonstrates that Masato Mitsuki's work has secured a firm place in the critical context of Western art.
On March 20, 2026, works by Koki Masato were published in the prestigious French art journal "République des Arts numéro 5," accompanied by a critique written by Françoise Icard, a distinguished French art critic who received the Ordre des Arts et des Lettres in 2021. Icard offered critical evaluation of five works, writing that the colors in Masato Koki's works "are never placed by chance" but are based on a meticulous strategy, and that "through the innovative printing technique, the reflection of light changes depending on the viewing angle, and the expression of the works shifts accordingly." Icard, daughter of a portrait painter at the Louvre Museum, serves as President of the arts promotion association ARTEC and as Permanent Secretary of the European Academy of Arts, Sciences and Letters (AESAL) — one of the foremost authorities in the French art world. Her critical engagement with the scientific approach and artistic achievement of the "Neo-Mosaic Stained Glass Technique" demonstrates that Koki Masato's work has secured a firm position within the critical context of Western fine art.
October 2026 123rd Salon d'Automne 2026 Participation DecisionVenue: Place de la Concorde (special pavilion), 8th arrondissement of Paris Organizer: Salon d'Automne Association Participated in the world for the first time as an AI artist.
October 2026 — 123rd Le Salon d'Automne 2026 — CONFIRMED PARTICIPATION Venue: Place de la Concorde (Special Pavilion), 8th Arrondissement, Paris Organizer: Salon d'Automne Association World's first participation as an AI artist.
February 2027 237th Le Salon 2027 Participation DecisionVenue: Grand Palais Paris 8th arrondissement Organizer: Société des Artistes Français Together with the Salon d'Automne, it is an honor to be the first AI artist in the world to exhibit at two Paris Salons.
February 2027 — 237th Le Salon 2027 — CONFIRMED PARTICIPATION Venue: Grand Palais, 8th Arrondissement, Paris Organizer: Society of French Artists The honor of being the first AI artist in the world to exhibit in two Paris Salons.
March 2027 International art book "Art Maison International Vol.31" will be publishedSupervised by A.M.S.C. (International Art Critics Selection Committee) and recommended by Alan Bazar, he was selected as the world's first AI artist. It is the first AI work of art to be engraved in the lineage of Japanese art masters such as Taro Okamoto, Yayoi Kusama, Matsuen Uemura, and Koji Kinutani. It will be donated and stored in major museums and university libraries around the world, including the Louvre, the British Museum, and the Metropolitan Museum of Art. The name of Masato Mitsuki will be permanently engraved in the "Sculpture Forest" in Puebla de la Sierra, Madrid, Spain.
March 2027 — International Art Publication "Art Maison International Vol.31" — CONFIRMED INCLUSION Selected as the world's first AI artist under the supervision of A.M.S.C. (International Art Critics Selection Committee) and upon the recommendation of Alain Bazart. Within the lineage of Japanese art masters including Taro Okamoto, Yayoi Kusama, Shoen Uemura and Koji Kinutani, AI art will be inscribed for the first time. Scheduled to be donated to and preserved in the world's foremost museums and university libraries, including the Louvre, the British Museum and the Metropolitan Museum of Art. Koki Masato's name will be permanently inscribed in the "Forest of Sculpture" in Puebla de la Sierra, Community of Madrid, Spain.
主要展示実績 / Major Exhibition History
July 24-27, 2025The Hague, Netherlands "3N - Neural Network Nexus AI Art Pop-up Exhibition" World First Exhibition Venue: INSENSE (KORTE HOUTSTRAAT 15, 2511 CC The Hague) Organizer: 3naigallery saizoai Exhibit: Akafuji Neo Mosaic Stained Glass (90cm×50cm) The world's first exhibition using the world's finest German plexiglass printing
July 24–27, 2025 — The Hague, Netherlands "3N - Neural Network Nexus AI Art Pop-up Exhibition" — World Premiere Venue: INSENSE (KORTE HOUTSTRAAT 15, 2511 CC The Hague) Organizer: 3naigallery saizoai Exhibited: Red Fuji - Neo-Mosaic Stained Glass (90cm×50cm) World's first exhibition using Germany's highest-grade Plexiglass printing
September 20-23, 2025Iwate Prefecture, Japan "The 11th Art as Art: Art Festival in Iwate" Venue: Morioka Civic Culture Hall Exhibition Hall Organizer: Alphaneo Co., Ltd. Supervision: Art critic Paul Float Exhibit: Akafuji Neo Mosaic Stained Glass (90cm×50cm) First exhibition in Japan using German plexiglass printing
September 20–23, 2025 — Iwate, Japan "11th Art as Art — Art Festival in Iwate" Venue: Morioka Civic Culture Hall, Exhibition Hall Organizer: Alpha Neo Co., Ltd. / Supervised by: Art Critic Paul Froot Exhibited: Red Fuji - Neo-Mosaic Stained Glass (90cm×50cm) Japan's first exhibition using German Plexiglass printing
September 28, 2025Amsterdam, The Netherlands "4th BUNKASAI Special Project" "AI Art Exhibition" Organizer: 3naigallery saizoai Exhibit: Red Fuji Neo Mosaic Stained Glass (90cm×50cm)
September 28, 2025 — Amsterdam, Netherlands "4th BUNKASAI Special Project" — "AI Art Exhibition" Organizer: 3naigallery saizoai Exhibited: Red Fuji - Neo-Mosaic Stained Glass (90cm×50cm)
November 27 - December 7, 2025Tokyo, Japan "The 16th Contemporary Artists in Motion" Venue: The National Art Center, Tokyo Exhibition Room 2C/2D Organizer: Space Art TORAM Sponsor: Ministry of Education, Culture, Sports, Science and Technology Exhibit: Akafuji – Neo Mosaic Stained Glass (90cm×50cm) First exhibition in Tokyo using German plexiglass printing
November 27 – December 7, 2025 — Tokyo, Japan "16th Dynamic Contemporary Artists Exhibition" Venue: The National Art Center, Tokyo, Exhibition Rooms 2C/2D Organizer: TORAM Spatial Arts Association / Supported by: Ministry of Education, Culture, Sports, Science and Technology Exhibited: Red Fuji – Neo-Mosaic Stained Glass (90cm×50cm) First Tokyo exhibition using German Plexiglass printing
November 28-30, 2025Paris, France "Christmas Art Market 2025 Paris" Venue: Special venue in front of the Tuileries Gardens Organizer: ARTEC Association and Art Republic Co-organized Exhibit: Akafuji – Neo Mosaic Stained Glass (60cm×40cm) and others First exhibition in Paris using German plexiglass printing
November 28–30, 2025 — Paris, France "Christmas Art Market 2025 Paris" Venue: Special venue in front of the Tuileries Garden (beside the Louvre) Organizer: ARTEC Association & Art Republic General Incorporated Association Exhibited: Red Fuji – Neo-Mosaic Stained Glass (60cm×40cm) and others First Paris exhibition using German Plexiglass printing
December 11-14, 2025The Hague, The Netherlands "3N - Neural Network Nexus AI Art Pop-up Exhibition" Venue: INSENSE (KORTE HOUTSTRAAT 15, 2511 CC The Hague) Organizer: 3naigallery saizoai Exhibit: Red Fuji Neo Mosaic Stained Glass (90cm×50cm) The world's best German plexiglass printing
December 11–14, 2025 — The Hague, Netherlands "3N - Neural Network Nexus AI Art Pop-up Exhibition" Venue: INSENSE (KORTE HOUTSTRAAT 15, 2511 CC The Hague) Organizer: 3naigallery saizoai Exhibited: Red Fuji - Neo-Mosaic Stained Glass (90cm×50cm) World-leading German Plexiglass printing
February 14-15, 2026Shibuya Art Museum vol.5, Tokyo, Japan Venue: SHIBUYA SACS Organizer: Nippon Bungei | NIHONBUNGEI LLC Exhibit: Mucha's Valentine's Day - Neo Mosaic Stained Glass SM Size (22.7cm×15.8cm) Japanese printing company FLATLABO's photoacrylic prints are exhibited for the first time in Tokyo
February 14–15, 2026 — Tokyo, Japan (Shibuya) "Shibuya Art Museum vol.5" Venue: SHIBUYA SACS Organizer: NIHONBUNGEI LLC Exhibited: Mucha's Valentine - Neo-Mosaic Stained Glass SM Size (22.7cm×15.8cm) Tokyo debut of photo acrylic print works by Japanese printing company FLATLABO
March 25-30, 2026Paris, France "JAPONICA 2026" International Exhibition Venue: Linda Farrell Gallery, 16th arrondissement, Paris, France Organizer: Reijinsha | REIJINSHA Exhibit: Neo Japonesque Diptych – Mucha's Valentine's Day - Neo Mosaic Stained Glass (40cm×40cm) Photoacrylic (5mm) print by Japanese printing company FLATLABOFrom Alain Bazar (head of Le Salon's painting department), "This is an impressive and very high-quality duetch reminiscent of Mucha's style. I get an evaluation.
March 25–30, 2026 — Paris, France "JAPONICA 2026 Exhibition" — International Open Call Venue: Linda Farrell Gallery, 16th Arrondissement, Paris Organizer: REIJINSHA Exhibited: Neo-Japonesque Diptych – Mucha's Valentine - Neo-Mosaic Stained Glass (40cm×40cm) Photo acrylic (5mm) print work by Japanese printing company FLATLABO Received evaluation from Alain Bazart (Representative of the Painting Division of Le Salon): "An impressive diptych of very high quality, reminiscent of Mucha's style. It can truly be called an ode to beauty."
今後の展示予定 / Upcoming Exhibition Schedule
October 2026 (planned)Paris, France "123rd Salon d'Automne 2026" International CompetitionParticipation in the special selection frameVenue: Place de la Concorde (Special Pavilion), 8th arrondissement of Paris Organizer: Salon d'Automne Association Exhibit: Neo Mosaic Stained Glass Technique No. 20×1 Photoacrylic (5mm) print by Japanese printing company FLATLABO
October 2026 (Scheduled) — Paris, France "123rd Le Salon d'Automne 2026" — International Open Call CONFIRMED — Special Selection Category Venue: Place de la Concorde (Special Pavilion), 8th Arrondissement, Paris Organizer: Salon d'Automne Association Exhibited: Neo-Mosaic Stained Glass Technique Work — Size 20 × 1 Photo acrylic (5mm) print work by Japanese printing company FLATLABO
February 2027 (planned)Paris, France "237th Le Salon 2027" International CompetitionParticipation in the special selection frameVenue: Grand Palais 8th arrondissement of Paris Organizer: Société des Artistes Français Exhibit: Neo Mosaic Stained Glass Technique No. 20×1 & 6×1 Photoacrylic (5mm) print by Japanese printing company FLATLABO
February 2027 (Scheduled) — Paris, France "237th Le Salon 2027" — International Open Call CONFIRMED — Special Selection Category Venue: Grand Palais, 8th Arrondissement, Paris Organizer: Society of French Artists Exhibited: Neo-Mosaic Stained Glass Technique Works — Size 20 × 1, Size 6 × 1 Photo acrylic (5mm) print works by Japanese printing company FLATLABO
March 2027 (planned)国際美術書籍「International Home Art Vol.31」Publication decisionPublisher: Reijinsha Co., Ltd. Supervision: A.M.S.C. (International Art Critics Selection Committee) Recommendation: Alain Bazar (Representative of Le Salon Painting Division) Selected as the world's first AI artist. It will be donated and stored in major museums and university libraries around the world, including the Louvre, the British Museum, and the Metropolitan Museum of Art.
March 2027 (Scheduled) International Art Publication "Art Maison International Vol.31" —CONFIRMED INCLUSION Publisher: Reijinsha Co., Ltd. Supervised by: A.M.S.C. (International Art Critics Selection Committee) Recommended by: Alain Bazart (Representative of the Painting Division of Le Salon) Selected as the world's first AI artist. Scheduled to be donated to and preserved in the world's foremost museums and university libraries, including the Louvre, the British Museum and the Metropolitan Museum of Art.
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Brand:AI VISUAL MASTERPIECEpresents Neo Mosaic Stained Glass
